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orlando jacinto garcía (b. 1954)
Orlando Jacinto Garcia
Through more than 200 works spanning orchestral, choral, chamber, solo, electroacoustic, site-specific, and multimedia forms — including collaborations with film, video, and dance — post-minimalist composer Orlando Jacinto Garcia has established himself as a major voice in contemporary classical music and new music. Often described as “time-suspended sonic explorations,” his music reflects the direct influence of his studies with Morton Feldman and places him among the most distinctive composers working in the post-Feldman tradition today. His work is distinguished by its evocative use of color, space, and atmosphere, and by its combination of expansive textures, political themes, and interdisciplinary collaboration.
Born in Havana, Cuba in 1954, Garcia emigrated to the United States in 1961. A Cuban-American composer whose output spans acoustic and electroacoustic idioms, he has received numerous awards, fellowships, and residencies from organizations including the Rockefeller, Fulbright, Knight, Civitella Ranieri, Bogliasco, and Cintas Foundations; the American Academy of Arts and Letters; the State of Florida; and the MacDowell and Millay colonies. His works have earned prizes from the Ariel, Noise International, Matiz Rangel, Nuevas Resonancias, Salvatore Martirano, and Bloch International Competitions. Most recently, he received five Latin Grammy nominations for Best Contemporary Classical Composition (2009–2011, 2015, and 2021).
Garcia’s compositions have been performed internationally by leading ensembles and soloists at major new music festivals and venues worldwide, and recordings of his music are available on labels including New Albion, O.O. Discs, CRI/New World, Albany, North/South, CRS, Rugginenti, VDM, Capstone, Innova, CNMAS, Opus One, Telos, Toccata Classics, Metier/Divine Art, Soundologia, Urtext, and New Focus.
Garcia is the founder and director of the NODUS Ensemble, the Miami Chapter of the International Society for Contemporary Music, and the New Music Miami ISCM Festival. He also serves as Resident Composer for the Miami Symphony Orchestra. An honorary member of the Colegio de Compositores Latinoamericanos, Garcia is a dedicated educator and currently serves as Distinguished University Professor and Composer in Residence at the School of Music of Florida International University.
For a list of selected soloists, ensembles, orchestras that have perforemd his work visit Garcia’s CV.

recent news
Lectures in NYC, March 19 and 23 at MSM and CUNY Graduate Center
I am very pleased to be presenting my work at the Manhattan School of Music and the CUNY Graduate Center in March during my visit to NYC where I will be attending the NYC premiere of my work 35 buy virtuoso pianist Jose Lopez as part of the Cutting Edge Concert...
Garcia Ellis Jazz Fusion Quartet
Thanks to the suggestions by my wife, I am back to performing on electric guitar, playing the jazz fusion tunes I grew up with. I am very fortunate to have some very talented musicians with me. I am still writing contemporary art music so not giving up my day job, but...
Sabbatical and orchestra project in Costa Rica
I am beyond honored and pleased to have been awarded a sabbatical leave for the 2025 fall semester by Florida International University to travel to Costa Rica and research the indigenous instruments and using them create an orchestra work that highlights them. I plan...
University of Miami Frost Centennial Medal
I was very proud and pleased to be one of 100 graduates from the University of Miami's Frost School of Music selected to receive the Frost Centennial Medal. Five of my fellow composer graduates and I were the recipients an honor indeed when you consider the number of...
South Florida Classical Review of prohibido
A nice review of the concert with the premiere of my work prohibido came out on South Florida Classical Review here
WLRN/NPR preview of prohibido
Excellent preview of prohibido on WLRN/NPR here
articles
Listed below are a selection of articles written by Orlando Jacinto García. Reuse or reprinting of any of these articles or content therein must be done with the written consent of the author. You may contact orlando via the “contact” page or by e-mailing him at garciao@fiu.edu Please reference which article you would like to use.
Why References?
When I was in graduate school in the early and mid 1980s, I had the good fortune to work with an Asian American composer and teacher at the University of Miami named Dennis Kam. At that time he was very much involved with the idea of musical stasis or a music that by...
What is Art Music?
As we enter the next century the music world can seem a bit confusing. Twenty five years ago what was considered the Western Art music canon consisted of music from either Antiquity or the Renaissance through the Baroque, Classical, Romantic, and into the 20th...
Teaching Composition: Some General Thoughts
Teaching someone to compose is impossible! We all know that Bartok said it and refused to teach composition. My mentor Feldman taught composition but always claimed you couldn’t do it, for which he was often criticized by students. His now somewhat famous response to...
Boola Boola Revisited
Slightly more than 15 years ago, soon after finishing my doctoral studies, I had the great fortune of studying with Morton Feldman for 3 intensive weeks. These sessions proved to have a great impact on my career as a composer and pedagogue and I was fortunate to be...
Another Approach to Electroacoustic Music
At times I find myself feeling somewhat out of place at some of the electroacoustic music events where my work is presented. This is not because I do not find this genre of interest or because I am not pleased with my work or that of my colleagues, but because my...
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